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The First Quarto of Othello(ISBN=9780521615945)书籍详细信息
- ISBN：9780521615945
- 作者：暂无作者
- 出版社：暂无出版社
- 出版时间：2005-03
- 页数：162
- 价格：159.30
- 纸张：胶版纸
- 装帧：平装
- 开本：16开
- 语言：未知
- 丛书：暂无丛书
- TAG：暂无
- 豆瓣评分：暂无豆瓣评分
内容简介：
This is the first modernized and edited version of the 1622
Othello. By taking this earliest published version of Othello as a
book in its own right, Scott McMillin accounts for the mystery of
its thousands of differences from the Folio version by arguing that
the Quarto was printed from a theatre * reflecting cuts and
actors' interpolations made in the playhouse. McMillin explains
that the playhouse * was apparently taken from dictation by a
scribe listening to the actors themselves, and thus reveals how
Othello was spoken in seventeenth-century performance. This
edition, which consists of a detailed introduction, quarto text,
select collation and textual notes, is an important book for
scholars in Shakespeare and Elizabethan-Jacobean drama, with wide
ramifications for other Shakespeare textual studies and for
students of early theatre history.
· The first modernized and edited version of the 1622 Othello ·
Accounts for the mystery of why the Othello Quarto differs from the
better-known Folio version on thousands of points · An important
book for scholars in Shakespeare and Elizabethan-Jacobean drama
书籍目录：
Acknowledgements
Abbreviations and conventions
Introduction: The textual problem
Q1 and foul papers
Greg sets the standard
Economy in the New Bibliography
Revision or abridgement
New evidence of foul papers?
Grounds for doubt
Walkley, Okes and the 'Cameron Group'
Punctuation
Compositorial prudence
Scribal punctuation and the Barnavelt Manuscript
Other King's-Men plays, 1619–22
Actors' interpolations
Listening
Dictation in the theatres
Mislineation
Playhouse scripts
Summary
Date of the Q1 playscript
Editorial procedure
The Play
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书籍介绍
This 2001 book presents the first modernized and edited version of the 1622 Othello. By taking this earliest published version of Othello as a book in its own right, Scott McMillin accounts for the mystery of its thousands of differences from the Folio version by arguing that the Quarto was printed from a theatre script reflecting cuts and actors' interpolations made in the playhouse. McMillin explains that the playhouse script was apparently taken from dictation by a scribe listening to the actors themselves, and thus reveals how Othello was spoken in seventeenth-century performance. This edition, which consists of a detailed introduction, quarto text, select collation and textual notes, is an important book for scholars in Shakespeare and Elizabethan-Jacobean drama, with wide ramifications for other Shakespeare textual studies and for students of early theatre history.
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