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The Freedman in Roman Art and Art History罗马艺术及艺术史上的自由民书籍详细信息
- ISBN：9780521858892
- 作者：暂无作者
- 出版社：暂无出版社
- 出版时间：2006-07
- 页数：294
- 价格：787.60
- 纸张：铜版纸
- 装帧：精装
- 开本：16开
- 语言：未知
- 丛书：暂无丛书
- TAG：暂无
- 豆瓣评分：暂无豆瓣评分
内容简介：
From monumental tombs and domestic decoration, to acts of benefaction and portraits of ancestors, Roman freed slaves, or freedmen, were prodigious patrons of art and architecture. Traditionally, however, the history of Roman art has been told primarily through the monumental remains of the emperors and ancient writers who worked in their circles. In this study, Lauren Petersen critically investigates the notion of 'freedman art' in scholarship, dependent as it is on elite-authored texts that are filled with hyperbole and stereotype of freedmen, such as the memorable fictional character Trimalchio, a boorish ex-slave in Petronius' Satyricon. She emphasizes integrated visual ensembles within defined historical and social contexts and aims to show how material culture can reflect preoccupations that were prevalent throughout Roman society. Interdisciplinary in scope, this book explores the many ways that monuments and artistic commissions by freedmen spoke to a much more complex reality than that presented in literature.
书籍目录：
COLOR PLATES
I. Priest wearing the mask of Anubis, from the Temple of Isis at Pompeii
II. Isis and Io, from the Temple of Isis at Pompeii
III. House of the Fruit Orchard, room 8, Pompeii
IV. Monument of Eurysaces, south facade, Rome
V. House of the Marine Venus, peristyle garden, Pompeii
VI. Casa dell'Ara Massima, pinax of Narcissus, Pompeii
VII. House of the Caecilii, drawing of the south wall of the tablinum, Pompeii
VIII. Tomb of the Varii, no. 87, Isola Sacra
FIGURES
1 House of the Vettii, room p, Pompeii
2 Priapus, House of the Vettii,fauces
3 Frieze of Cupids and Pysches, House of the Vettii, room q
4 House of the Vettii, room q
5 Plan of Pompeii
6 Plan of the Civic Forum at Pompeii
7 Temple of Isis, Pompeii
8 Entrance to the Temple of Isis
9 G.B. and E Piranesi, view of the Temple of Isis at Pompeii, eighteenth century
1O Re-creation of an lsiac ceremony at the Temple of Isis at Pompeii eighteenth century
11 Isiac worship, fresco from Herculaneum
12 Plan of the Temple of Isis
13 Temple of Isis, back side with niche
14 Bacchus, from the Temple of Isis
15 Basilica, Pompeii
16 Reconstruction of the Temple of Isis at Pompeii
17 Temple of Isis, enclosure above the subterranean room (purgatorium), north side
18 Temple of Isis, enclosure above the subterranean room (purgatorium), east side
19 Reconstruction of the north and west wails of the portico, Temple of Isis
20 Reconstruction of the east wall of the portico, north section, Ten,ple of Isis
21 Reconstruction of the north wall of the Ekklesiasterion, Temple of Isis
22 Naw[gium Isidis or inventio Osit'idis, froln the north wall of the sacrarium, Temple of Isis
23 Osiris enthroned, from the west wall of the sacrarium, Temple of Isis
24 Isis, from the Temple of Isis
25 Venus, from the Temple of Isis
26 Drawing ofa lararium frompistrinum IX.3.io-12, Pompeii
27 Lararium, House of the Vettii
28 Shrine of Isis, Serapis, Harpocrates, and Anubis, House of the Gilded Cupids, Pompeii
29 House of Octavius Quartio, room f, Pompeii
30 Egyptianizing frieze from the Villa of the Mysteries, Black Tablinum, Pompeii
31 G.B. and E Piranesi, inscriptions from the Temple of Isis at Pompeii
32 Herin portrait ofC. Norbanus Sorex, from the Temple of Isis
33 Monuments ofC. Calventius Quietus and C. Munatius Faustus, Herculaneum Gate, Pompeii
34 Plan of the necropolis at the Herculaneum Gate
35 Tomb of C. Calventius Quietus
36 Corona civica, tomb ofC. Calventius Quietus
37 Bisellium, monument of C. Munatius Faustus
38 Scene of grain distribution, monument ofC. Muuafius Faustus
39 Ship at sail, monument ofC. Munatius Faustus
40 Tomb ofC. Vestorius Priscus, Vesuvius Gate, Pompeii
41 Tomb group at the Herculanemn Gate, north, nos. 35-43
42 Tomb ofM. Cerrinius Restitutus, Herculaneum Gate
43 Stele, from the tomb ofM. Cerrinius Restitutus
44 Tombs ofA. Veius Atticus and C. Munatius Faustus, Nuceria Gate, Pompeii
45 Eumachia's tomb, Nuceria Gate
……
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书籍介绍
From monumental tombs and domestic decoration, to acts of benefaction and portraits of ancestors, Roman freed slaves, or freedmen, were prodigious patrons of art and architecture. Traditionally, however, the history of Roman art has been told primarily through the monumental remains of the emperors and ancient writers who worked in their circles. In this study, Lauren Petersen critically investigates the notion of 'freedman art' in scholarship, dependent as it is on elite-authored texts that are filled with hyperbole and stereotypes of freedmen, such as the memorable fictional character Trimalchio, a boorish ex-slave in Petronius' Satyricon. She emphasizes integrated visual ensembles within defined historical and social contexts and aims to show how material culture can reflect preoccupations that were prevalent throughout Roman society. Interdisciplinary in scope, this book explores the many ways that monuments and artistic commissions by freedmen spoke to a much more complex reality than that presented in literature.
书籍真实打分
故事情节：8分
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文字风格：6分
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思想传递：6分
知识深度：7分
知识广度：3分
实用性：4分
章节划分：4分
结构布局：7分
新颖与独特：5分
情感共鸣：6分
引人入胜：6分
现实相关：5分
沉浸感：8分
事实准确性：9分
文化贡献：7分
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